Adult Camp is a comedy about the bumpy road to personal growth. A group of men and women, strangers to each other, choose to spend a different kind of summer holiday week by traveling to the beautiful Turku archipelago to participate in an inviting, upgraded version of an adult camp. When they discover that the galloping horses from the camp’s sales video are just symbols of a free mind, and the guru of the camp takes off to witness his dog in labour, the participants are forced to examine themselves and each other to find the necessary elements for growth. Perhaps the camp doesn’t fulfill its promise of the “most wonderful week of your life”, but one thing’s for sure – no one returns home the same.

A young couple, feeling the pressures of parenting and adulthood, sends their kids to camp for the first time and embark on a series of sexual adventures to reinvigorate their relationship.

When dysfunctional adult Al Clancy mistakenly agrees to mind his smart-ass 10-year-old nephew Karl for a week, his job and home are placed in jeopardy. In a bold bid to save Al’s job, they steal his mam’s camper van, become best friends, and embark on a criss cross adventure, putting up posters all over Ireland. When things go wrong and the lads get cranky, one of them realises that the other one needs to grow up.

In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before a demon – Hellboy – has already been conjured. Joining the Allied forces, Hellboy eventually grows to adulthood, serving the cause of good rather than evil.

Based on one of the most beloved Young Adult novels of all time: Two kids are stripped naked and left together on an island in a lake – victims of a vicious summer camp prank; But rather than have to return to camp and face the humiliation, they decide to take off, on the run together. What follows is a three day odyssey of discovery and self-discovery.

The story of a young Marine, fresh from Camp Pendleton, who is forced to confront the complexities of adulthood and a volatile home life during a four-day Thanksgiving leave.

Amidst a nuclear war, a plane carrying a group of schoolboys crash lands on a deserted island. With no adult survivors, the boys are forced to fend for themselves. At first they cooperate, but when the they split into two separate camps — one led by the pragmatic Ralph and the other by militaristic Jack — their society falls into disarray, leading to a disturbing examination of human nature and a chilling conclusion.

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.